roaming the streets: Pandacan’s Jesus and Otis

No other thoroughfares have long defined the district of Pandacan in Manila than the twin streets of Jesus and the former Otis, now known as Paz M. Guanzon. Divided by Quirino Avenue, these two streets are actually part of a single road networks that serves to connect Pandacan to the nearby districts of the city.

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Named after the patron of the district, the Holy Child, Jesus is one of the districts oldest thoroughfares where many of the district’s landmarks are located. Apart from what have been written previously, along this road can be found a city government’s housing project called the Residencias de Manila and across it the charity organization ran by the Roman Catholic Archdiocese of Manila, Caritas Manila. If you are one those looking for affordable goods like clothing, household items, etc. Caritas Manila’s office is one place to go to on some occasions since they hold “garage sales” of sorts for various goods.

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The heritage of Pandacan (Part 3 of the Pandacan series)

For a district with a 300-year old history as Pandacan, it should come as no surprise to see Pandacan figure prominently in our history in one way or another or to see fragments of its old history surviving in the midst of the many changes this place has faced.

If there’s one foremost claim Pandacan can make in our history, it would most likely being the birthplace and hometown of one of the champions of the Filipino secularization movement in the Catholic Church and eventual martyr, Father Jacinto Zamora. Not only was he honored by having not just one street after him, a park was also built on the approximate site where he was born.

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the site of Fr. Zamora’s birthplace is now a park-playground

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Pandacan: the land of arts and depots (Part 2)

One little-known fact about Pandacan is that it has been dubbed the “Little Italy” and “Little Venice” partly because of its topography being surrounded by a river and esteros or creeks and also because of it being the center of arts and culture especially during the 19th-early 20th century. In fact, Pandacan was known as the cradle of Italian operas in the country as this district was the center of opera and orchestral music performance in and around Manila, and perhaps the country as well.

One of the foremost figures of music based in Pandacan is Ladislao Bonus, who is also known as “the father of the Philippine Opera.” He was able to establish the first Philippine opera company in Pandacan in 1887, was part of the Manila Cathedral and Marikina orchestras among others, and has written musical scores for a number of zarzuelas as well. Today, a memorial to him exists along a street named after one of the first members of his opera company, Teodora San Luis.

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